For example, this may follow a D/F# chord, in which case it could make sense to call this Dm/F. Even then, you wouldn’t be wrong to say F6 if you preferred. Example 2.

The 4th in this case is G, the 4th of the D major scale. The G replaces the 3rd (F#), meaning sus chords are neither major ...

If you’re looking for an easier alternative to the D/F# you can replace it with a D chord. When he plays D7 and A7, he does so to create harmonic tension which would then resolve to G and D ...

The notes E, G#, B, D and F# are an arpeggiated E9 chord. The first two times, you hear only the first four notes that make an E7 arpeggio. Then you hear the whole thing, which is a pretty cool trick.

We’ve tabbed out three chord progressions for you to try out here. Of course, experimentation is the name of the game, so use these as springboards for your own ideas. Chord progression numbers ...

This is an F#m11 chord, but in this instance, the low F# note is not played, it is rooted in a C# note. This chord is arpeggiated through the intro. The m11 is quite a complex chord voicing, when ...