But I also find the nature of working with overlays and spot colours like this has had an impact on the way I colour more generally and the way I make colour palettes. For instance, Suzanne’s colours ...

But I also find the nature of working with overlays and spot colours like this has had an impact on the way I colour more generally and the way I make colour palettes. For instance, Suzanne’s colours ...

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Mark: What a fantastic finale that was. A good riposte to the claim last year that Mad Men’s storytelling jumped the shark, becoming more reliant on cheap shock value because Weiner had run out of ...

This week we explore the scorched desert of the unreal that is episode 8 of Mark Frost and David Lynchs’s Twin Peaks: The Return. Got a light? Expect nuclear magic, atomic paranoia, cosmic trauma and ...

A new girl steps into the starlight. A girl who is a radio journalist. A girl called Brenda – no, wait – Jennifer! DANGER ON THE AIR promises DJs and “Pop” stars although there’s an awful lot of ...

How did you and Mark Brady come to do a monthly strip for Ferment magazine? Mark and I had finished our first bit of collaboration – tactile medieval battlefield workplace silliness in Medieval Times ...

Are there any particular strips that are favourites or felt like some sort of breakthrough? I wouldn’t say breakthrough, as the groove and working pattern we found from the get go has served us really ...

Are there any particular strips that are favourites or felt like some sort of breakthrough? I wouldn’t say breakthrough, as the groove and working pattern we found from the get go has served us really ...

How did you and Mark Brady come to do a monthly strip for Ferment magazine? Mark and I had finished our first bit of collaboration – tactile medieval battlefield workplace silliness in Medieval Times ...

How did you and Mark Brady come to do a monthly strip for Ferment magazine? Mark and I had finished our first bit of collaboration – tactile medieval battlefield workplace silliness in Medieval Times ...